Considering the famous composer's intentionally de-personalized pieces, he notes that John CageĬould hardly have gotten very far with his sometimes computer-assisted music if he hadn’t found inspiration in sounds and sensations produced before the appearance of computers, in works including Erik Satie’s Parade (1917) and any number of compositions by Edgar Varèse… As for the literary arts, ‘Coded’ includes some examples of the computer-generated concrete poetry of the time. This defense of copyright violation and “auto-generated” hate speech, wearing the neoliberal armor of “rights,” is just more marketing.īack at LACMA, Perl is unimpressed. Intelligence has nothing to do with it and that so many in the tech industry have advocated for the “rights” of “machine-minds” is a clear admission of this, not to mention an argument for their own immunity: my algorithm has a soul, and neither I nor my company is liable for what it says or does. Its intent is to launder the intellectual property of others and sell it with almost zero labor cost, creating a sort of flash-commodity. “AI” is the same weapon aimed at a different industry. Lincoln Michel has already critiqued what companies have branded “artificial intelligence”: that it’s merely software built from the same algorithms we’ve tolerated in daily life for many years-primarily as individualized marketing campaigns.

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